Motion design to
grab them by the eyes.
Great motion design starts with great design.
We obsess over art direction, typography, and composition before a single thing moves. The motion serves the idea, not the other way around.
That’s what separates work that gets shared from work that gets scrolled past.
How a brand moves is as distinctive as how it looks. We build motion languages that are immediately recognisable and impossible to mistake for someone else’s work.
Motion design doesn’t just communicate, it stops people. In a feed moving at speed, the right frame at the right moment is worth more than any static execution.
A single production delivers across social, broadcast, digital, and OOH. The idea travels; the quality doesn’t drop.
A motion language built once and deployed everywhere. We design the rules – timing, easing, transitions, behaviour – so your brand moves consistently across every touchpoint, every format, every team that ever touches it.
Depends on scope. A social campaign package can move in two to three weeks. A broadcast identity or full motion system needs more time – typically six to ten weeks. The timeline gets agreed at brief stage, not halfway through production.
A brief and a budget. The more honest you are about both, the better the work. The brief can be shaped if it’s early days, but there needs to be a clear objective and a realistic number to work with.
Yes. Production is built in a way that makes adaptations straightforward, so the budget isn’t being spent starting from scratch every time the format changes.
01
The idea comes first. Clear on what the motion needs to do before deciding how it moves.
02
Every frame worth making is worth designing. Styleframes lock the look before production begins.
03
Frame by frame, with the precision the brief demands and the craft the work deserves.
04
Every format. Every platform. On time. Ready to run.
Frantic energy. Flawless result.
London & Oxford. Working worldwide.
