Things that shouldn’t exist.
In places that do.
Harrods, Creed, Hollywood Bowl, Gatineau. And the impossible idea you’re about to brief us on.
Fake Out of Home (FOOH) is CGI content that places products, objects or brand moments into real-world footage. A giant perfume bottle appearing on the side of a building. A product bursting out of a famous landmark. Something that looks completely real and completely impossible at the same time.
FOOH videos are built to be shared. The moment someone watches one, the first instinct is to send it to someone else. That’s not an accident, it’s the whole point.
Done properly, a FOOH video makes people genuinely question whether what they’re watching really happened. That doubt is what drives the share.
FOOH triggers the share reflex. The impossibility is the hook – people send it before they’ve even finished watching.
Famous landmarks, busy streets, recognisable places. The more real the setting, the more impossible the moment feels.
No location permits, no production logistics, no weather dependency. The footage gets shot, the CGI gets built, the two come together.
Landscape, square, vertical. Every social format delivered from a single FOOH production.
Three ways: filming specifically at the chosen location, sourcing existing stock footage, or using publicly available footage of famous landmarks. iPhone footage often works best because it looks like someone genuinely filmed it.
The footage gets tracked to map the camera movement, then the 3D model gets built and composited into the scene with matching lighting, shadows and reflections. The goal is to make the CGI indistinguishable from the real footage around it.
A focused single-location FOOH video can move in two to four weeks. More complex productions with multiple locations or formats take longer. The brief sets the timeline.
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What’s the impossible moment? Where does it happen? What makes someone stop scrolling and send it to a friend?
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Filmed specifically for the brief, sourced from stock, or captured on iPhone at the chosen location. The more real it looks, the better the FOOH works.
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3D model, tracking, lighting, compositing. Every shadow, reflection and detail that makes the CGI look like it was always there.
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Every social format – landscape, square, vertical. Ready to post, ready to share, ready to perform.
Clients that have been Frantic.
Frantic energy. Flawless result.
London & Oxford. Working worldwide.